IL “PAESE GUASTO” E “IL BEL PAESE”. LUOGHI ITALIANI DELLA DIVINA COMMEDIA E IL DANTE DI REVELLI

Abstract

“Paese guasto” and “il bel paese”. Italian places of the divine comedy and Revelli’s Dante. – The places of the Commedia are dressed of a meaning physical and symbolic at the same time, and, the echo of this description, appears strongly detailed in Dante’s verses. The evocative power of the places can be measured from an effective comparison with Eliot’s poem which, with clear evidence, is inextricably linked to Dante’s Commedia; the dead country, as Dante defines it, can definitely be compared to the adjective waste used by Eliot. This evocative connection allows Dante to still live as a fundamental reference point for modern Twentieth-century society. As it is customary in the stream of Italian intellectuals operating in the early Twentieth century, we cannot ignore the fascination of Dante’s exegesis; Paolo Revelli, geographer as well as “dantista”, brings to fulfilment the intellectual custom we have spoken of. Dante and Italy are two indissoluble names and Revelli understands and emphasizes Dante’s role in the geography of Italy.